Published in September 1942 as the final poem of T. S. Eliot’s Four Quartets, “Little Gidding” was completed after the poet survived the bombing of London in the Blitz. In this poetry comic by Julian Peters, which illustrates the poem’s final stanzas, images of aerial combat and burning churches reference these air raids.
Inspired by a visit to Little Gidding, the site of an Anglican religious community established by Nicholas Ferrar [portrait at left] in 1625, Eliot’s poem portrays the choice he saw facing humanity: to be destroyed in the fires of war or to allow that fire to purify and restore – through God’s mercy and the fire of the Holy Spirit.. . . .
What drew Eliot to Little Gidding? Three centuries earlier, after a catastrophic crash of the Ferrar family’s mercantile empire, about forty men, women, and children of the extended family left behind a worldly life to devote themselves to godly living, constructive work, and a daily rhythm of Bible study and prayer. The community ran a school, provided lodging for several needy elderly women, and dispensed soup and medicine to the local people.
Even the defeated King Charles I, a family friend, sought refuge at Little Gidding during the English Civil War. (The community found him safer lodgings nearby.) With England once more at war, Eliot wrote, “I think, again, of this place, / And of people, not wholly commendable / …/ United in the strife which divided them.” Though the community faltered after the death of its founders, perhaps something had been won for all time in that place, which continues to attract pilgrims to this day.
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